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So we are back for the second half of our end of season awards. The format remains the same with four nominations followed by the sharpest critical analysis this side of Sight and Sound magazine. Winners are announced on the podcast. This week we also introduce a contribution from a special guest.

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Jonathan Majors receives his award for Best Performance in The Last Black Man in San Francisco

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Music is a big theme of Part 2 so we have a link to the ReidsonRecord playlist which you can find on Spotify:

And without further ado here are the nominations:

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The Andrzej Żuławski Award for Best Film I didn’t understand

Enys Men

The Terrorizers

Symbiopsychotaxiplasm: Take One

Upstream Color

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Best soundtrack

Upstream Color

Dancer in the Dark

The Last Black Man in San Francisco

Symbiopsychotaxiplasm: Take One

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Turner Walkout Award

Upstream Color

Enys Men

In the Earth

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Best Editing - nominations from our in-house Film Editor

Symbiopsychotaxiplasm: Take One

Upstream Color

House

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Best Song

Smoke Gets In Your Eyes - The Platters (The Terrorizers)

Rhythm of the Night - Corona (Beau Travail)

New World - Björk (Dancer in the Dark)

San Francisco (Be Sure to Wear Flowers in Your Hair) - Michael Marshall (The Last Black Man in San Francisco)

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Best Lasting Image

The Last Black Man in San Francisco

Dersu Uzala

The Young and the Damned (Los Olvidados)

Beau Travail

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Special Award for Reader Contribution

Mark C.

James N.

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Once again, thank you for listening to Reids on Film. As always comments are welcome, and do let us know if you think there is a film we really should be watching…

Season Two is just around the corner but we thought we would leave you with this fascinating discussion between two great filmmakers talking about one of our favourite films of the season, Beau Travail: